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Original Titel: 怒首領蜂大往生・ブラックレーベル EXTRA - Xbox360
Publisher: 5pb
Katalog No.: YGC-00002
Genre: Shoot 'em up
Release: 19. Feb 09
DoDonPachi Daioujou Black Label Extra for Xbox 360 (Product Code: YGC-00002) is a Japanese-exclusive vertical shoot-'em-up developed by Cave and published by 5pb., released on February 19, 2009. This title is part of the renowned DoDonPachi series, celebrated for its intense bullet-hell gameplay and intricate scoring systems.
This Xbox 360 release includes multiple modes:
White Label (Old Version): A faithful port of the original arcade release.
Black Label (New Version): An enhanced version with adjusted difficulty and scoring mechanics.
X Mode: An exclusive mode for the Xbox 360, featuring a new character named Piper and a reimagined game system.
The game supports 1-2 players and is region-locked to NTSC-J, requiring a Japanese Xbox 360 console to play.
A millennium ago, humanity created advanced war machines to fight in their stead. However, this reliance backfired—technology spiraled beyond their control, leading to near-total annihilation. In the aftermath, the survivors sealed the war machines on the Moon, vowing never to repeat such devastation.
Centuries passed in peace. Technological advancement resumed, this time for the benefit of mankind—robots assisted in agriculture, industry, and hazardous work. But this era of harmony would not last.
Unsettling signals began to emerge from the Moon. The seal had weakened. The war machines stirred once more, with signs that they had developed autonomous will—and a desire to conquer Earth again. In response, the human Federation mobilized its forces for a preemptive strike against Lunapolis, the enemy's capital.
At the heart of this defense effort are the Elemental Dolls—intelligent androids designed to pilot and manage combat craft. These Dolls control every facet of their fighter jets, from weapon systems to repairs, making them the front line in the battle for Earth’s survival.
Will history repeat itself? Or can humanity finally overcome the ghosts of its own technological hubris
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